by Troels Steenholdt Heiredal Architecture is not just the physical buildings, it is also the mental constructions created in peoples meeting with it. I am writing to explore poetry as an architectural form. To investigate how the day-to-day language of architecture features the vocabulary of racial discrimination. Is this because…

Impressions of Tara Donovan’s show “Intermediaries” at Pace Gallery Jan 15-Mar 6, 2021 Something is held within the sphere; as you approach, it’s fleeing, moving along with you, tending to your view. A globe of cut tubes becomes a two-way piece, not the circular unity held by a ball. It…

James A. Reeves’s online quadruplex of play, by Troels Steenholdt Heiredal I’m starting to tense up, knowing that I need to, or it’s more I want to, have to get this right. To say something profound about the work, and it’s blocking me, crippling my every move, till nothing comes…

Impressions of Salman Toor’s show “How Will I Know” at The Whitney Museum of American Art, on through April 4, 2021. The protagonist here a traveler in silence — where do we dream, when dreaming in public? “I am tall and I am thin / Of an enviable height /…

Theaster Gates’ solo show at Gagosian Gallery W24th Street. A common chord strikes through four separate spaces, held together by a material. The first space feels almost off to the side, it’s the only room with a view to the outside and the only deadend, forcing you to enter and…